Artwork, graphic design and packaging for Hungry Animal, the new album by Luke Temple and The Cascading Moms.
LP packaging design and layout for 28 Demos — a posthumous compilation by cult songwriter Margo Guryan.
LP design and layout for X-Cetra — “Super sweet sleepover-core from the turn of the millennium. When not at the mall or middle school, Jessica, Ayden, Janet, and Mary created a suburban Spice World all their own, singing, dancing, and making videos in anticipation of a global pop takeover. Summer 2000 expands their home-burned Y2K CD-R-only Stardust album, encapsulating girl group R&B, trip hop, Eurofunk, and pool party heartbreak into a revealing portrait of millennial girlhood.”
Design and identity for ‘Janyak: Armenian Art of Knots and Loops’, an exhibition curated by Gassia Armenian. For centuries Armenian janyak (Ժանյակ) or needle lace has been a precious link for Armenians across the world. A portable and enduring art form passed from mother to daughter, it has connected generations both in their homeland and in the diaspora, transmitting cultural heritage and values.
Two custom tote bag designs created exclusively for Fowler Museum members, featuring striking details lifted directly from the psychedelic wood grain of the museum's floors. The patterns reminded Jenny of Awazu Kiyoshi's artwork—a longtime favorite of hers.
Design and identity for ‘Art, Honor and Ridicule: Asafo Flags from Southern Ghana’, an exhibition co-curated by Silvia Forni and Erica P. Jones. This exhibition featured Fowler Museum’s extraordinary collection of asafo flags. Colorful and conceptually layered, the flags are insignia for the historical and still thriving military companies of Fante states in Southern Ghana.
Art directed the graphic design language across all company platforms, including the website, emails, paid ads, social media and general content creation. Transformed written and spoken concepts seamlessly into engaging images, layouts and other designs.
Design and art direction for signage and wayfinding, print collateral, digital and print advertising, and apparel for the 2020 Art Los Angeles Contemporary fair, which took place at the The Hollywood Athletic Club.
Exhibition design and identity for ‘The Chiaroscuro Woodcut in Renaissance Italy’ curated by Naoko Takahatake at LACMA in Los Angeles. First introduced in Italy around 1516, the chiaroscuro woodcut, which involves printing an image from two or more woodblocks inked in different hues, was one of the most successful early forays into color printing in Europe. Taking its name from the Italian for “light” (chiaro) and “shade” (scuro), the technique creates the illusion of depth through tonal contrasts. For this first major presentation of the subject in the United States, some 100 rare chiaroscuro woodcuts were brought together alongside related drawings, engravings, and sculpture.
Identity for ‘Particular Histories: Provenance Research in African Arts’, an exhibition curated by Carlee Forbes at Fowler Museum in Los Angeles. This exhibition traced the movement of objects through different cultural, economic and political contexts.
Collaboration with Jürg Lehni on a series of drawings as part of the SFMOMA exhibition Typeface to Interface. The series, titled A Taxonomy of Communication, charts the history of visible language and communication tools via the following categories: writing, reading, displays, signs, and interfaces. The drawings were produced on the gallery walls by Viktor, a drawing machine invented by Lehni, which embodies the blurred line between medium and method.
Collaboration with the artist and designer Sam Spencer. Typographic design for his sculptural war memorial, now sitting proudly in the grounds of Shoreditch Tabernacle Baptist Church.
